#CRISTMAS MUSIC WITHOUT WORDS ROCK PROFESSIONAL#
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History Initial recordings and major versions

1.1 Initial recordings and major versions.

When I asked him how long if we met twice a week and I doubled my practice time he said six years. He told me that’s how long it would take. I studied classical with Gordon Moore for three years.

#CRISTMAS MUSIC WITHOUT WORDS ROCK PROFESSIONAL#

If you care to acquire a retired professional client I would like a map and timeline for an engagement for a specific time period. Music is a constant in my life and it’s primarily in a jazz motif now. I have loved it since my parents gave me one on my 7th Christmas. In public I usually play my ’68 SG or Gold Top LP Standard through a Roland Street EX. But that is offset with excellent pitch discrimination and tonal memory. How do I add variety to these simple tunes? If you FB Paul DuFlo you will see two of my last summer’s recordings. My primary interest is to add variety to my performances. My summer public performances are instrumental and exclusively for the benefit of the Food Bank. I wish to expand on pieces in the Real Book. In Nashville last week of March and afterwards online via Zoom.Ĭompeted long ago Aaron Shearer, Classical Guitar, Volumes 1 and 2.Ĭurrently playing about thirty selections out of the Real Book 6th edition.

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All 12 solos are are available for purchase and download individually or as a collection at via this link. In this way they bring another dimension to practicing: not a finger exercise and not a familiar song, but with elements of both.Īvailable at Amazon or any book retailer. Accessible to the strummer wanting to learn fingerstyle or the electric player exploring acoustic, and musical enough to be enjoyable for anyone to listen to. With these 12 Preludes, I strove to write music that’s engaging to both the fingers and the ears. It’s wonderful music and fun to play, and much of it is highly challenging.

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My favorites include the music of the 19 th century Spanish composer/virtuoso (and follower of Napoleon) Fernando Sor, the Brazilian Heitor Villa-Lobos, who liked to write with the TV on and the kids running around the house, and the contemporary Cuban guitarist/composer Leo Brouwer.

I have played some of this music for nearly 40 years as I write this, and I still find it both enjoyable and challenging. Many of these pieces are now standards of the repertoire. In the classical guitar world, many of the major composers wrote Etudes or “studies”. The Hungarian composer Bela Bartok wrote six sets of “Mikrokosmos”, children’s piano collections that are not at all childish in sound or character. I guarantee that the “Minuet in G” is familiar even if you’ve never taken piano lessons. Bach’s “Notebook for Anna Magdalena” is a standard for piano students. There’s a long tradition of this sort of thing in classical music. Music meant to challenge the player but also to be both attainable and enjoyable to play. You can learn something from pretty much any song or piece of music, but there’s a lot to gain from working on material that was written with playability in mind.

“Songs Without Words” is a set of 12 original solo guitar pieces at an advanced beginner level written for both enjoyment and skill development. The Etudes Project continues with a new set of melodic studies.

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